UNIVERSITY OF TORONTO LINKS
Adeena Karasick
From: Genrecide. Vancouver: Talonbooks, 1996.
In incumbent umbrage, abyss splurge
shattered absence abandoned in
a shacked-up schemata act
echolalic rhetoric, a
conjugated silence of
mucosa aroma
when my body brims with tolerance
when it no longer holds me
when i'm burning between
secretum retreats or
incriminate imminence
as cerea slits silence
viscose slick risks
distance when what's
sacred, secare, escarre
eskhara escarts,
succours
in the carnage of
mourning when mourning is
of mourning and dwells in
desiccated articulacy
as a reticent negligent
agenda atrophies in
a symbolic bloc rocks
in proxy locs.
or a provocative glottis wrought
as an impossible gloss. gas. gliss. listens when
linguae langue linguis lingers
in onoma
eponyma
And opens in immensity
in remnants, residuals, articulated in
exhortative sorts, exitin' in
fermata grafts damaged as
a resident hesitant
when desire slides in the absence of
studded space, echoes
screams
in the horror of
high mourning, if mourning is
half mourning
to close in on
its silence accumulates,
as wretched homonymies,
anonymies, eponymies
in the residue of
recreant shrieks and bleakly ambiguous in
the scars of
tolerant hollers.
if full mourning is of mourning
remainders what follows for the
mourning of mourning in the
metonymy of intimacy
crawling with contingency
mourning to mourn
the already-mourned
all that is irreplaceable, plaisable, possible
as the private, arrives,
survives
and the destinerrancy
of desire.
Adeena Karasick's works copyright © to the author.