UNIVERSITY OF TORONTO LINKS
Kathy Shaidle
From: Lobotomy Magnificat. Oberon Press, 1997.
Ten minutes before dinner with the sexy Communist someone turned me over in the ditch
— "Ballerina Criminology", Connie Deanovich
Their numbered arms shadow me everywhere
:my license plate, my thermostat,
my bank book balance and radio dial.
Register tapes and Diners' Club cards.
The Bible's chapter and verse.
FOR A GOOD TIME CALL's arithmetic
or a dollar bill's small poker hand.
Sure other people have tattoos
:the sailors who've curled on my couch,
their mothers and lovers still clutching;
and some of my dancers
have breast bouquets or garden thighs.
But they're names and hearts and roses--
they're love-bites and valentine scars--
that'll say who they were when their bodies are found,
not brand them as dead while they breathe...
(My mother lives inside my watch,
behind the numeral'd circle on my wrist
:her tsking tongue, and constant crochet--
slap slap slap go the hands)
When I stick in my finger
and dial the phone--
what if, someday (a magic spell)
I call up the digits
on a half-charred arm
that squeezes through the cord and claws my face?
Number's symbol is a cage,
one prisoner's boredom's tictactoe.
I posed before a lined and numbered wall,
my head like shot-glassed whiskey.
(Do you think my face will end up on a stamp,
a bruise of black numbers punched onto my nose,
thumb-printed like a side of beef?)
The day I shot that Nazi weasel punk,
I held out my arm
as if to give him,
friendly-like, my business card,
my numbered wrist, the
only thing I own.
That got him to open his mouth for me.
It pays to be polite.
Kathy Shaidle's works copyright © to the author.