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One makes (the) difference


To say: "I don't undertand what this means," is, at least, to recognize that "this" means. The problem is that meaning is not a totality of sameness and predictability. Within each word, each sentence, meaning has slipped a little out of sight and all we have are traces, shadows, still warm ashes. The meaning available from language goes beyond the actual instance of this word, that word. A text is a place where a labyrinth of continually revealing meanings are available, a place that offers more possibility than we can be sure we know, sometimes more than we want to know. It isn't a container, static and apparent. Rather, it is noisy, frequently illegible. Reading into meaning starts with a questioning glance, a seemingly obvious doubloon on a mast. The multiplicity can be read, should be read, even performed. But then again, perhaps meaning is intransitive and unreadable, only meant to be made. No sooner do we name meaning than it seems to dissipate. As a sure thing, it eludes us. It arouses us to attempt an understanding, to interpret. But this is usually unsatisfying since whatever direction we approach from only leads us to suspect there is no one direction. No single meaning is the right one because no "right ones" stand still long enough to get caught. But because we do not know does not mean we are lost. Something that is strangely familiar, not quite what we expect, but familiar, is present. That quick little gasp in the daydream, a sudden sigh of recognition, a little sock of baby breath. Writing into meaning starts at the white page, nothing but intention. This initial blinding clarity needs to be disrupted before we're tricked into settling for a staged and diluted paradigm of the "real," the good old familiar, inherited, understandable, unmistakable lucidity of phrase that feels safe and sure, a simple sentence, just-like-the-last-time-sentence. One makes (the) difference. Meaning generates and amplifies itself, beyond itself, but never forgets; fragments of its memory and its potency exceed itself with meaning full of desire and can only be found hiding between the words and lines and in a margin large enough for further thought, music at the heart of thinking, go ahead.


Fred Wah's works copyright © to the author.


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